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Each girl wore a subtly different version of what her mate
was wearing, the majority of them in the house's signature damier pattern. Of
course, the first time Jacobs references the iconic pattern, akin to a logo, it
would be through the lens of something abstract and ultra cool. The main runway
was done in bright, glossy yellow and white damier.
In his notes, Jacobs noted that the silhouettes were
straight columns, basically, "interrupted at three levels"—the
shoulder, waist and hem. Heady stuff, but translated, it was chic, wearable,
luxe and damn cool. When he strayed from the damier print, he moved to a spare
floral print and pattern, that he even used on suede pieces.
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